Disturbingly, all feel downright clunky, especially the overt smash zooms to specific props in order to NOTE. Carice van Houten is a fellow investigator and joins in a chase to uncover some ISIS plotters in a cross country race to save the day.Īlong the way, we see split screens (a POV execution of patrons on the red carpet of a film festival – subtle!), split-diopter shots, and other trademark De Palma tics. Nikolaj Coster-Waldau plays Christian, a cop who forgets his gun while engaged in coitus on a resplendent leather-wrapped bed that is surely one of production design’s most strange finds. Out front are a couple of amazing actors known to most of the world from Game of Thrones. Ostensibly a terrorist thriller set in Copenhagen, the picture feels more like a student film trying to evoke 1940s noir using gaudily lit digital photography (from José Luis Alcaine, another master who should know better). It’s like a lounge music cover of a cover song, a dual-layer reference where De Palma is referencing De Palma referencing Hitchcock. With a film that retroactively calls into question a great deal of what came before.ĭomino is fascinating in the way it’s bad. After those were the silly ( Snake Eyes) and the awful ( Mission to Mars, Redacted, Passion), and then nothing since 2012. Deeper cuts like Carlito’s Way or the cult fave The Phantom of the Paradise offer many pleasures, and De Palma also helmed the first Mission: Impossible to set off that remarkable franchise. Abrams lifts from Spielberg today.įor a while this worked, and some have looked to the Stephen King adaptation Carrie, the sordid Dressed to Kill, the rambunctious Scarface, or the over-the-top The Untouchables to celebrate his gifts.
De Palma’s fetish for Hitchcock was overt, and many of his films borrowed whole-hog from the master as blatantly as J.J. Like Lucas, Scorsese, Spielberg, Bogdanovich and others of his generation, he helped usher in an era where the traditional studio system was collapsing and a new generation raised on cinema took the reins.
#Domino 2019 movie
Such has been Brian De Palma’s fall from grace, the result is a movie that can’t find theatrical distribution and is being relegated to various VOD platforms to try to glean something out of this piece of almost shocking mediocrity.įor much of the 1970s and well into the ’80s, De Palma was one of the most cherished of filmmakers.
#Domino 2019 tv
There are many things disheartening about Domino, a below average terrorist thriller that feels more like a misjudged TV movie than the work of an iconic director.